Writing a fantasy trilogy Part 1: Ideas

Disclaimer: Ye gods, this is no how to guide. This is just an on-going collection of thoughts as I work my way through the process. They may or may not be useful or entertaining to people; it is more likely they may well end up providing a great deal of amusement to me when I look back over my posts and realise what a load of nonsense I was talking. So please do not think I am laying down rules here or instructions – I am just laying out some writerly jams. Or something.

Disclaimer the second: This is a giant wall of text so I have chosen to break it up with pictures of old cartoons. Look I’m sorry but I’m not sorry.

thunderlaughing

The Thundercats just had the BEST idea – Let’s all laugh at Snarf!

 

Ideas

Let’s go back to the very beginning (a very good place to start*). Where do you get the idea for your fantasy trilogy? Well, the good thing about starting with this is it is a completely impossible question. I cannot answer it. ‘Where do you get your ideas from?’ is traditionally the question writers hate the most, and the truth is we do like to sound like we know everything, and it’s annoying when we don’t. I wish I could tell you where The Copper Promise really came from, or where exactly it started, but if there was a eureka moment it has been lost in the mists of time. The truth is, I think, that books start out as a gradual thickening of ideas. Lots of little ideas will start to bunch together, and eventually they will grow little legs, and suddenly you have a thing.

I knew that I wanted to write modern sword and sorcery, and there was this loveable rogue I wanted to write, who was a woman and *pop* Oh there’s Wydrin, and perhaps the characters are a sort of dysfunctional group who wind each other up, and I really like dragons…

she-ra

Actual picture of me, having an idea

 

I do have a theory about this thickening of ideas though. I think that writers tend to fall into two groups: writers whose ideas centre around characters, and writers whose ideas centre around stories. I am a very character-driven writer, and the characters of the Copper Cat trilogy were all in my head long before I knew what the story was. Other writers that I know well often talk about having an idea for a story first, and how sometimes bits of other stories latch on to that and become a book. I think (and this is a slightly wilder theory) that often story-centric writers (that is to say, writers who begin with the story idea) gravitate towards science-fiction, that genre of ‘what if?’. This is probably why the one SF novel I wrote revolved around a shoal of fish living in an exo-suit and a gangster spider.**

That isn’t to say, obviously, that character-driven writers have no story, or that story-driven writers can’t do characters. We’re all making the same journey, we just get there in different ways.

For me the question is rarely ‘What is the story?’ but ‘Whose story am I telling?’

Now, should writing a trilogy change how you approach having ideas? Does it differ, at this very early stage, from writing a standalone book? I think not. Is the idea big enough for a series? Does it naturally split into three, or four, or ten books? For me specifically, because I start with the characters (and I always have more than one main character) I am rarely worried that I won’t have enough story to go round, because I have their whole lives to play with. If anything, I’m not sure where to stop… (I’ll come back to this in the next blog, on planning)

 

So in terms of helpfulness, how do we assist the thickening of ideas? Here are some things I have been known to do:

Dedicated daydreaming time. Carving out a slice of time when you don’t have anything else to do for a bit. Easier said than done, of course. And I think the key to this is not to sit glaring angrily at your desk trying to boil your own eyeballs in your head with ‘THINK OF A BLOODY IDEA DAMNIT’ but to summon the sort of imaginative play-think-dream-time you would have had as a kid. Alright, that sounds like bollocks, I know. The truth is, 99% of your best ideas will come when you’re on the bus, or having a shower, doing the washing up or falling asleep, which is why:

Have a notebook with you. I HEAR YOUR COLLECTIVE GROANS: ‘Jeez Williams, everyone already knows this, you charlatan.’ Yes okay, but really, my notebook is never more than a few feet from me unless I’m in the shower. Ideas get thicker faster if you’ve written them down somewhere.

heman

True fact: Battlecat looks after He-Man’s notebook for him.

 

Read lots of everything you like. People have a lot of differing opinions on this, but I’m going to go with a straight up: read what you bloody well like. I know some people suggest you should read bad books so you can learn what not to do (ye gods no, life is too short) or read those stonkingly enormous bestsellers so you can steal their secrets. Some people I know won’t read books that are in any way similar to the book they are writing, just in case something seeps through, and I know people who read exclusively in their genre to absorb as much as possible. I try to read lots and lots of what I love, and I try to figure out why I love it so much.

(I do sometimes avoid reading books written in the first person while I’m writing, as I write third person POV and I like to keep my brain in the right headspace – however, this is clearly nonsense as I just read Fool’s Quest and The Empty Throne, both amazingly good first person books and I REGRET NOTHING)

Look out for odd things, and collect them to your bosom. Often for me, ideas tend to spawn from a single image or a scrap of random information. I read a description of an enormous ancient city in a history book not so long ago. Threatened by the possibility of invasion it had been abandoned, and this sprawling metropolis – one of the greatest cities in the world at the time – was claimed instead by weeds and prowling wolves. Reading that, I knew I wanted to write about such a place, and that was one of the seeds that eventually grew to be The Ninth Rain.

Ideas are attracted to each other. Get enough of them in the same place, and stories start to happen. You’ll know when it happens, because you won’t be able to scribble in your notebook fast enough, and suddenly everything makes a beautiful kind of sense as all the pieces plop delicately into place. It is, in my opinion, one of the finest parts of the writing process – the little hitch and flutter in your chest that means your book is coming alive.

When you have your idea – or your membranous collective of ideas – then you can start planning, which will be part 2 of this blog series. And if you have any questions about ideas, or why I have an unhealthy obsession with Thundercats, do stick them in the comments.

 

*thank you, Sound of Music.

** I probably shouldn’t write SF.

snarf

Look, this just makes me happy, okay?

On selling a new trilogy, and the weirdness of writers

Yesterday I was finally able to talk about some good news – Headline have acquired my new fantasy trilogy, and I get to write more books.

I wanted to write a blog post about it immediately, but inevitably got distracted by trying to find a suitable picture to convey my feelings. It turned out it wasn’t all that easy, and then I went and had a glass of fizz in celebration instead. So a day later, and well, I did what I could.

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Perfect!

Yes good, this is good.

Yes good, this is good.

The first book of the new trilogy is called The Ninth Rain and… I don’t feel like I can say too much about it just yet. What I can say: it’s a new series set in an entirely new world (no surprise visits from Wydrin and co, I’m afraid) and I am very excited to be going on this journey.

rainbows

A bit much maybe?

So, a second book deal. It’s hard to say exactly how much this means to me personally, as overly dramatic as that sounds. Writers are oddly delicate, paranoid creatures, I think, and we spend much of our time convinced that some solemn-faced bastard with a clipboard will turn up at some point, explain that it’s all been a terrible mistake, and gently crumple your career up into a sad little ball of paper. I remain startled by the fact that the Copper Cat trilogy made it into ‘real book form’, and even as I trip over the box of Iron Ghost author copies in my living room part of me thinks it has all been an overly elaborate dream. Because it is a dream, I suppose – I just got to have mine.

I'm... I'm not sure these make sense any more

I’m… I’m not sure these make sense any more

As ever I am struck by how lucky I am to have had that chance, and to have had such a brilliant team to kick me up the bum over the last few years. So big thanks to Headline, not only for believing in the Copper Cat trilogy but for wanting to support what I do next too, particularly my editors Emily Griffin and Claire Baldwin (who ROCK), and big thanks to my agent Juliet Mushens, who is just one of the best people. BEST.

Cover reveal and blurb: THE SILVER TIDE

SilverTide

I love this so so much. Every one of my covers has been tremendous, and I owe a big thanks to Patrick Insole and the excellent team at Headline for knocking it out of the park again. THESE DRAGONS GIVE ME LIFE.

Keep reading for more info on THE SILVER TIDE, the sequel to THE COPPER PROMISE and THE IRON GHOST:

Tales of the Black Feather Three and their exploits abound far and wide, and Wydrin of Crosshaven, Lord Aaron Frith and Sir Sebastian have become sell swords in demand. Having foiled powerful mages and evil magic, they now face a challenge unlike any before – in the form of Wydrin’s mother.

Devinia the Red, notorious pirate and captain of the Poison Chalice, is intent on finding the fabled treasure hidden within the jungles of the cursed island of Euriale. She needs the skills of her daughter Wydrin and her companions to get there, and our heroes cannot resist the lure of coin and adventure. But no explorer has returned from the heart of the island, and it’s not long before the Three find themselves in the clutches of peril. Deep within the island of the gods, there are remnants of forces best left undisturbed…